Regional compilations are tricky things. Ostensibly intended to document a specific scene, they often fall victim to the seemingly contradictory flaws of insufficiency and inclusion. Any scene worth its salt has at least a handful of groups worthy of exposure to the outside world. The trouble is there aren't usually enough of them to fill an album. (Two of the best regional comps,
No New York and
Laughing at the Ground both feature only four bands.) So, for the sake of occupying space and the misguided notion that more acts, regardless of their quality, equals more legitimacy, the listener is treated to aural cronyism: "Those dudes aren't very good but they're nice guys so let's put 'em on the record. Hey, does your cousin with the four-track have to a song to give?" Even some of the more celebrated regional compilations fall victim to this. There's 11 bands on
Flex Your Head. How many of them can you name?
This makes the accomplishment that is
Casual Victim Pile 2 all the more amazing. The record is a sequel to last year's
Casual Victim Pile, which in itself was a revelation. This collection of 19 bands from Austin, TX (with a few from nearby Denton) was one of the
best records of 2010, with a handful of its bands also individually releasing some of the year's best albums. While many regional comps scrape the bottom of barrel to fill out space (never mind creating a worthy listening experience),
CVP was practically overflowing with awesome cuts, more than enough to make any scene proud. Almost inconceivably,
CVP2 features another 18 Austin bands, all of whom offer their own distinct flavor of rock music. Some names are familiar to me (Cruddy, Rayon Beach, Sally Crewe and the Sudden Moves). Those who aren't give me enough of a taste to make me crave more (pretty much everyone but especially The Dead Space and Serious Tracers). Unlike the original compilation,
CVP2 is not being released on Matador but rather Matador founder/owner Gerard Cosloy's more D.I.Y. 12XU imprint. Don't let the decreased exposure or worry of diminishing returns disuade you.
Casual Victim Pile 2 is every bit the record its predecessor was. And the whole shebang is streaming for free on
bandcamp.
It's been over a year since we lost our friend Jay Reatard. It goes without saying that we can never replace the man, but those mourning the loss of his music would do well to check out GB City, the debut album from Oxford, MS's Bass Drum of Death. Formerly John Barrett's Bass Drum of Death, this group is essentially a one man recording unit, much like Mr. Reatard's early recordings. Also like Mr. Retard, Mr. Barrett has a knack for snotty, hook-laden punk rock with a surprising amount of complexity and depth. An extremely promising debut.
(Saturday morning outside Vintage Vinyl in Fords, NJ)
(© 2011. Used without permission.)
Regional compilations are tricky things. Ostensibly intended to document a specific scene, they often fall victim to the seemingly contradictory flaws of insufficiency and inclusion. Any scene worth its salt has at least a handful of groups worthy of exposure to the outside world. The trouble is there aren't usually enough of them to fill an album. (Two of the best regional comps, No New York and Laughing at the Ground both feature only four bands.) So, for the sake of occupying space and the misguided notion that more acts, regardless of their quality, equals more legitimacy, the listener is treated to aural cronyism: "Those dudes aren't very good but they're nice guys so let's put 'em on the record. Hey, does your cousin with the four-track have to a song to give?" Even some of the more celebrated regional compilations fall victim to this. There's 11 bands on Flex Your Head. How many of them can you name?
